The present work attempts to study the impact of Hindustani Classical Music on Bollywood in a legitimate manner using a statistical approach emphasizing on statistical modeling of musical structure and performance and other statistical features such as note duration and inter onset interval with a case study in raga Yaman.
Any music originates in the society and develops with the changing realities of it. It accepts new and modifies the existing cultural norms in different periods of time. This process of acceptance and rejection makes any form of art exist for long. Inspite of all this, in various phases, Hindustani classical music, being the base of many popular Bollywood songs has helped in their popularity and lifelong existence because of the strong focus on melody.
A raga, which is the nucleus of Indian classical music, be it Hindustani or Carnatic, is a melodic structure with fixed notes and a set of rules which characterize a certain mood conveyed by erformance. Hindustani ragas have embraced the elements of several Bollywood songs, which has given these songs a strong impact despite the strong influence of western art music in Bollywood music industry. The present work attempts to study this impact in a legitimate manner using a statistical approach emphasizing on statistical modeling of musical structure and performance and other statistical features such as note duration and inter onset interval with a case study in raga Yaman. It turns out that the same statistical model for both the raga bandishand a song based on the same raga, i.e., Yaman, an evening raga of the Kalyan thaat.
Table of Contents
- CHAPTER 1: INTRODUCTION TO HINDUSTANI CLASSICAL MUSIC
- 1.1 Introduction
- 1.2 Principles of Hindustani music
- 1.2.1 Terminologies Used In Hindustani Classical Music
- 1.2.2 Notation Used in Describing Ragas
- 1.3 Raga Yaman (Evening Raga)
- 1.4 A Statistical Outlook
- 1.5 Objectives
- CHAPTER 2 LITERATURE REVIEW
- CHAPTER 3 METHODOLOGY
- 3.1 Research Methodology
- 3.1.1 Bandish
- 3.1.2 Mann Re
- CHAPTER 4 RESULTS & DISCUSSION
- 4.1 Results
- 4.1.1 Statistical Analysis of a Bandish
- 4.1.2 Statistical Analysis of the Song Mann Re
- 4.2 Interpretation from the figures
- 4.3 Comparison
- 4.4 Note Duration and IOI
- 4.4.1 Graphs (note duration and IOI)
- 4.4.2 Discussion
- CHAPTER 5: SOME FAMOUS BOLLYWOOD COMPOSERS AND SINGERS AND AN ILLUSTRATIVE LIST OF RAGA BASED SONGS COMPOSED OR SUNG BY THEM
Objectives and Key Themes
This work aims to statistically analyze the influence of Hindustani classical music on Bollywood songs, specifically focusing on melodic structures and performance characteristics. The study employs statistical modeling to compare the musical structures of a classical bandish and a Bollywood song based on the same raga (Yaman).
- The impact of Hindustani classical music on Bollywood song structures.
- Statistical modeling of musical features like note duration and inter-onset intervals.
- Comparative analysis of a classical bandish and a Bollywood song in the Yaman raga.
- The role of raga in shaping the mood and impact of both classical and Bollywood music.
- Exploring the evolution and adaptation of traditional Indian music within the Bollywood context.
Chapter Summaries
CHAPTER 1: INTRODUCTION TO HINDUSTANI CLASSICAL MUSIC: This chapter introduces Hindustani classical music, its origins, and principles. It discusses the concept of ragas as melodic structures conveying specific moods, and their significance in both classical and Bollywood music. The chapter also outlines the study's objectives, focusing on a statistical approach to understanding the relationship between classical and Bollywood musical forms, particularly the use of raga Yaman as a case study. The chapter lays the groundwork for the subsequent statistical analysis by defining key terminologies and notations used in Hindustani classical music.
CHAPTER 3 METHODOLOGY: This chapter details the research methodology employed in the study. It describes the selection and analysis of both a traditional Hindustani classical bandish and a Bollywood song ("Mann Re") based on the Yaman raga. The methodology involves a statistical approach focusing on the extraction and comparison of musical features like note durations and inter-onset intervals, allowing for a quantitative assessment of similarities and differences between the two musical styles. The chapter provides crucial information about how the data for analysis was collected and processed, making the analysis robust and replicable.
CHAPTER 4 RESULTS & DISCUSSION: This chapter presents the results of the statistical analysis conducted on the selected bandish and the Bollywood song "Mann Re," both based on the Yaman raga. It details the statistical analysis of both musical pieces, focusing on the comparative evaluation of their note durations and inter-onset intervals. The chapter interprets the findings, providing insights into the similarities and differences between the two musical forms, potentially highlighting the extent to which Bollywood music retains or modifies the characteristics of its classical counterparts. Visualizations such as graphs are likely used to support the interpretation of the findings.
CHAPTER 5: SOME FAMOUS BOLLYWOOD COMPOSERS AND SINGERS AND AN ILLUSTRATIVE LIST OF RAGA BASED SONGS COMPOSED OR SUNG BY THEM: This chapter explores the contributions of prominent Bollywood composers and singers to the incorporation of Hindustani ragas into popular songs. It provides examples of raga-based songs composed or sung by these figures, illustrating the diverse ways in which classical musical elements have been adapted and integrated into Bollywood's musical landscape. This chapter complements the statistical analysis by providing a qualitative perspective on the influence of Hindustani classical music on Bollywood's musical heritage and evolution.
Keywords
Hindustani classical music, Bollywood music, raga Yaman, statistical analysis, note duration, inter-onset interval, melodic structure, musical modeling, Indian classical music, raga-based songs, comparative analysis.
Frequently Asked Questions: A Statistical Analysis of the Influence of Hindustani Classical Music on Bollywood Songs
What is the main topic of this study?
This study statistically analyzes how Hindustani classical music influences Bollywood songs, focusing on melodic structures and performance. It specifically compares a classical bandish and a Bollywood song in the Yaman raga using statistical modeling.
What are the key themes explored in this research?
The key themes include the impact of Hindustani classical music on Bollywood song structures, statistical modeling of musical features (note duration and inter-onset intervals), a comparative analysis of a classical bandish and a Bollywood song in the Yaman raga, the role of raga in shaping mood and impact, and the evolution and adaptation of traditional Indian music within Bollywood.
What is the methodology used in the study?
The study uses a statistical approach. It involves selecting and analyzing a traditional Hindustani classical bandish and a Bollywood song ("Mann Re"), both in the Yaman raga. The analysis focuses on extracting and comparing musical features like note durations and inter-onset intervals to quantitatively assess similarities and differences between the musical styles.
What are the key findings of the study?
The results chapter presents a statistical analysis of the chosen bandish and "Mann Re," comparing note durations and inter-onset intervals. The interpretation of these findings provides insights into the similarities and differences between the classical and Bollywood forms, showing how Bollywood music might retain or modify classical characteristics. Graphs visualize the data.
What specific musical elements are analyzed?
The analysis focuses on note duration and inter-onset intervals (IOI) to compare the melodic structures of the classical bandish and the Bollywood song.
Which raga is used as a case study?
The Yaman raga is used as a case study for this comparative analysis.
What is the significance of Chapter 1?
Chapter 1 introduces Hindustani classical music, its principles, and the concept of ragas. It defines key terms and notations, setting the stage for the statistical analysis and explaining the study's objectives.
What is the purpose of Chapter 3?
Chapter 3 details the research methodology, explaining the selection and analysis of the chosen musical pieces and the statistical approach used to compare their musical features. It ensures the analysis is robust and replicable.
What is covered in Chapter 4?
Chapter 4 presents and interprets the results of the statistical analysis, comparing the note durations and inter-onset intervals of the bandish and "Mann Re." It discusses the similarities and differences between the two musical styles.
What is the content of Chapter 5?
Chapter 5 explores the contributions of famous Bollywood composers and singers to the use of Hindustani ragas in popular songs. It gives examples of raga-based songs, providing a qualitative perspective on the influence of classical music on Bollywood's musical heritage.
What are the keywords associated with this research?
Keywords include Hindustani classical music, Bollywood music, raga Yaman, statistical analysis, note duration, inter-onset interval, melodic structure, musical modeling, Indian classical music, raga-based songs, and comparative analysis.
- Quote paper
- Amrita Singh (Author), Soubhik Chakraborty (Author), 2019, The Influence of Hindustani Classical Music on Bollywood Songs. A Statistical Outlook, Munich, GRIN Verlag, https://www.grin.com/document/491797
