Sleep is a prevalent motif in poetry. As a universal topic, sleep – or sleeplessness – has an impact on everyone.1 For this reason, many poets not only of the Renaissance dedicated the sonnets to their beloved to sleep. The aim of this seminar paper is to make transparent, how sleep is depicted in two different Renaissance sonnets. The sequence of sonnets to Delia by Samuel Daniel contains the poem Care-charmer Sleepe. Another poem, Come sleepe, o sleepe from the sequence Astrophil and Stella by Sir Philip Sidney, is also concerned with this topic. For this seminar paper, it is of great interest to examine in how far the illustrations of sleep in these two poems differ from each other or reveal similarities. This subject is of particular significance, as the two sonnet sequences have been written in about the same time, in the end of the sixteenth century, so that a comparison of the depictions of sleep is profitable.
In the beginning, Sir Philip Sidney’s sonnet is presented and investigated with regard to its depiction of sleep. The different techniques of figuration to achieve the illustration of sleep in the way the poem presents it are taken into account. Therefore, it will be revealed by which means sleep is pictured in this specific sonnet. Subsequently, the second poem by Samuel Daniel is looked at. It will be focused on the approach which the speaker in this sonnet takes to depict an image of sleep. By means of this, different aspects of illustrating sleep and techniques of achieving the result which is presented in the sonnets are emphasized and can therefore be compared in a following chapter.
Research literature related to sleep as a motif in poetry and especially with regard to the two selected poems is rare. The field of research is a rather unexamined realm. Therefore, not many secondary literature can be consulted to support the findings of this seminar paper. Nevertheless, excerpts from Ruth F. Clancy’s Thematic Guide to British Poetry can contribute to the argumentation of this term paper, because they comprise the motif of sleep with regard to different poems, among others also Sir Philip Sidney’s and Samuel Daniel’s sonnets, which build the core of this seminar paper. But this work remains one of the scarce sources in this field of research.
Inhaltsverzeichnis (Table of Contents)
- The sonnets
- Introduction
- The depiction of sleep in Sir Philip Sidney's sonnet
- The depiction of sleep in Samuel Daniel's sonnet
- A comparison of the two representations
- Conclusion
- Outlook
- References
- Declaration
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This seminar paper aims to analyze the depiction of sleep in two Renaissance sonnets: "Come sleepe, o sleepe" by Sir Philip Sidney and "Care-charmer Sleepe" by Samuel Daniel. By comparing the two sonnets, the paper seeks to understand how the poets illustrate the theme of sleep and highlight their distinct approaches to this universal experience.
- The depiction of sleep in Renaissance poetry
- The role of figurative language in illustrating sleep
- The relationship between sleep and peace, reconciliation, and wisdom
- The influence of the Petrarchan sonnet form on the depiction of sleep
- The similarities and differences between Sidney's and Daniel's depictions of sleep
Zusammenfassung der Kapitel (Chapter Summaries)
- Introduction: This chapter provides an overview of the topic and explains the aim of the paper. It highlights the significance of sleep as a universal theme in poetry and introduces the two sonnets under analysis.
- The depiction of sleep in Sir Philip Sidney's sonnet: This chapter examines the structure and content of Sidney's "Come sleepe, o sleepe" to understand how the poem depicts sleep. It analyzes the use of figurative language and how it contributes to the creation of a specific image of sleep.
- The depiction of sleep in Samuel Daniel's sonnet: This chapter focuses on Daniel's "Care-charmer Sleepe" and investigates its form and content to understand how the poem depicts sleep. It explores the speaker's approach to illustrating sleep and the techniques employed to achieve the desired result.
Schlüsselwörter (Keywords)
This seminar paper focuses on the depiction of sleep in Renaissance poetry, specifically in the sonnets "Come sleepe, o sleepe" by Sir Philip Sidney and "Care-charmer Sleepe" by Samuel Daniel. The key concepts explored in this study include figurative language, metaphor, personification, sonnet form, and the contrasting approaches to illustrating sleep in the two sonnets.
- Citar trabajo
- Anonym (Autor), 2018, The representation of sleep in Samuel Daniel’s "Care-charmer Sleepe" in comparison to Sir Philip Sidney’s "Come sleepe, o sleepe", Múnich, GRIN Verlag, https://www.grin.com/document/494112
