The paper attempts to understand the role of the creative class in the proliferation of a creative economy in Baguio City. It draws discussion from the discourse of the reconstruction of Baguio City as a Creative City and from the insights gained by the author during the International Conference on Southeast Asian Crafts and Folk Arts (ICSEACFA). This paper will synthesize empirical specifics and theoretical posits in order to arrive at a deeper and broader understanding of the creative class and the creative economy in Baguio City.
The paper puts premium on the exploration as to how the creative economy is ultimately driven by the creative class. Through a review of empirical facts and the theories on creative economies and identifying the creative class, the author affirms the vital role, the creative class plays in the proliferation and development of the creative city.
Conversely, the development of the creative city enlivens the creative sectors and encourages them to continue innovating, becoming more productive, generating more employment, increasing household incomes, savings, and investments. Baguio City's position as a UNESCO creative city entails a lifelong commitment of the creative class in proliferating the creative economy.
Today, Baguio City is known as the “Summer Capital” of the country. It is one of the most dynamic and prominent cities in the Philippines. It is home to 345,000 residents as of 2015, and has been growing exponentially at a rate peggedm at 1.54 percent. Baguio is now comprised of migrants from various ethno-linguistic groups who have now outnumbered the original Ibaloi population. Currently, only 4% of the total Baguio population are Ibalois. It is an educational, trading, tourism, and administrative hub in northern Luzon.
Table of Contents
- Introduction
- Evolving Historical Nodes of Baguio City
- Baguio as a Creative City
- The Creative Economy
Objectives and Key Themes
This paper aims to explore the role of the creative class in the development of Baguio City's creative economy. It draws on the city's designation as a UNESCO Creative City and the author's experiences at the ICSEACFA conference to analyze this relationship. The study synthesizes empirical data and theoretical frameworks to offer a comprehensive understanding.
- The historical evolution of Baguio City and its transformation.
- Baguio City's designation as a UNESCO Creative City for Crafts and Folk Art.
- The role of the creative class in driving economic growth.
- The relationship between creativity, economic development, and urban sustainability.
- The concept of the creative economy and its application to Baguio City.
Chapter Summaries
Introduction: This introductory section sets the stage for the paper, outlining its objective to understand the contribution of the creative class to Baguio City's creative economy. It highlights the use of both empirical evidence and theoretical frameworks to achieve a comprehensive analysis, referencing the author's experience at the International Conference on Southeast Asian Crafts and Folk Arts (ICSEACFA) as a source of insight. The introduction emphasizes the interconnectedness of the creative class and the creative economy within the context of Baguio City's development.
Evolving Historical Nodes of Baguio City: This chapter traces the historical development of Baguio City, starting from its pre-colonial origins as an Ibaloi grazing land (kafagway) to its transformation into a significant urban center. It details the influence of Spanish and American colonization on the city's development, highlighting how the favorable climate and picturesque landscape attracted Westerners and led to its designation as a health resort. The chapter underscores the significant population shift from the original Ibaloi inhabitants to a diverse mix of ethnic groups, shaping Baguio's current identity as an educational, trading, tourism, and administrative hub in Northern Luzon. The narrative illustrates the complex interplay between historical events, geographical factors, and demographic changes in shaping the city's present form and function.
Baguio as a Creative City: This section focuses on Baguio City's recognition as a UNESCO Creative City for Crafts and Folk Art. It discusses the "multi-stakeholders" desire for sustainable and inclusive development that propelled this recognition. The chapter details the city's envisioned initiatives, such as the development of creative centers, the Baguio City Creative Circuit (BBCC), and partnerships with other creative cities. It connects this designation to Florida's concept of the three Ts (tolerance, technology, and talent), arguing that Baguio's unique characteristics align with this framework for fostering creativity and economic growth. The chapter emphasizes the city's commitment to using creativity as a driver for sustainable urban development and nation-building.
The Creative Economy: This chapter introduces the core concept of the creative economy, explaining the underlying premise that knowledge and ideas from a creative class have become a primary driver of economic productivity. It highlights the increased policy attention and skills development initiatives spurred by this concept, particularly in the United Kingdom. The chapter lays the theoretical foundation for understanding how creativity can be harnessed for economic growth, providing a crucial context for the analysis of Baguio City's creative economy.
Keywords
Creative class, creative economy, Baguio City, UNESCO Creative City, sustainable urban development, crafts and folk art, historical development, economic growth, cultural diversity, tolerance, technology, talent.
FAQ: A Comprehensive Language Preview of Baguio City's Creative Economy
What is the main topic of this document?
This document provides a comprehensive preview of a paper exploring the role of the creative class in the development of Baguio City's creative economy. It examines Baguio City's designation as a UNESCO Creative City and analyzes the relationship between creativity, economic development, and urban sustainability in the city.
What are the key themes explored in the paper?
The key themes include the historical evolution of Baguio City, its designation as a UNESCO Creative City for Crafts and Folk Art, the role of the creative class in driving economic growth, the relationship between creativity, economic development, and urban sustainability, and the application of the creative economy concept to Baguio City.
What is the objective of the paper?
The paper aims to explore the contribution of the creative class to Baguio City's creative economy, using both empirical data and theoretical frameworks. The author's experience at the International Conference on Southeast Asian Crafts and Folk Arts (ICSEACFA) also informs the analysis.
What are the chapter summaries?
The introduction sets the stage and outlines the paper's objective. The chapter on "Evolving Historical Nodes of Baguio City" traces the city's historical development from its pre-colonial origins to its current form. "Baguio as a Creative City" focuses on its UNESCO designation and initiatives related to sustainable development. Finally, "The Creative Economy" introduces the core concept and its relevance to the study.
What is Baguio City's significance in the context of this paper?
Baguio City serves as a case study to analyze the relationship between the creative class, the creative economy, and sustainable urban development. Its designation as a UNESCO Creative City for Crafts and Folk Art is central to the analysis.
What theoretical frameworks are used in the paper?
The paper draws upon the concept of the creative economy and its impact on economic growth, referencing relevant policy initiatives and skills development strategies, particularly from the United Kingdom. It also connects Baguio City's development to Florida's "three Ts" (tolerance, technology, and talent).
What is the role of the creative class in the paper?
The paper investigates the central role of the creative class in driving economic growth and shaping the development of Baguio City's creative economy.
What are the keywords associated with this paper?
The keywords include: Creative class, creative economy, Baguio City, UNESCO Creative City, sustainable urban development, crafts and folk art, historical development, economic growth, cultural diversity, tolerance, technology, and talent.
What is the significance of the ICSEACFA conference?
The author's experience at the International Conference on Southeast Asian Crafts and Folk Arts (ICSEACFA) serves as a source of insight and contributes to the analysis presented in the paper.
Where can I find more information about Baguio City's designation as a UNESCO Creative City?
The paper delves into the details of Baguio City's designation and the initiatives undertaken as a result. Further information could likely be found on the UNESCO Creative Cities Network website and through research on Baguio City's local government resources.
- Citation du texte
- Julie Anne Dimapilis (Auteur), 2019, The Role of the Creative Class in Proliferating the Creative Economy of Baguio City, Munich, GRIN Verlag, https://www.grin.com/document/923343
