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"We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic


Dossier / Travail, 2020

18 Pages, Note: 1,3


Extrait


Table of Contents:

1. Independence as a Paradigm in Power, Corruption & Lies

2. Independent and Mainstream Divide of Popular Culture

3. Manchester During the 1980s: Factory Records and The Hagienda

4. Theoretical Framework

5. Analysis of Power, Corruption & Lies

6. New Order as Pioneers of 'Madchester' and Rave Music

7. Bibliography

8. Appendix

Fin de l'extrait de 18 pages

Résumé des informations

Titre
"We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic
Université
University of Sussex
Note
1,3
Auteur
Année
2020
Pages
18
N° de catalogue
V962696
ISBN (ebook)
9783346315502
ISBN (Livre)
9783346315519
Langue
anglais
Annotations
-includes semiotic album analysis of Power, Corruption & Lies Appendices are not included due to copyright reasons.
Mots clés
New Order, High culture, Low Culture, Popular Music, New Wave, Madchester, Post Punk, Joy Division, Factory Records, Album Analysis, Michael Riffaterre, Semiotik, Independent, Indie, Theodor Adorno, Sarah Thornton, Club Culture, Charles Sanders Peirce, Ferdinand de Saussure
Citation du texte
Leona Walter (Auteur), 2020, "We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic, Munich, GRIN Verlag, https://www.grin.com/document/962696

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Titre: "We live always underground". New Order’s Power, Corruption and Lies (1983) as an Ode to the Independence Ethos and Melancholy as an Aesthetic


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